{"id":6979,"date":"2024-06-26T08:57:46","date_gmt":"2024-06-26T08:57:46","guid":{"rendered":"https:\/\/taifasfestival.mywp.ro\/?p=6979"},"modified":"2024-08-27T19:32:05","modified_gmt":"2024-08-27T19:32:05","slug":"proiectii-scolare","status":"publish","type":"post","link":"https:\/\/taifasfestival.ro\/en\/proiectii-scolare\/","title":{"rendered":"School screenings"},"content":{"rendered":"
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The Balkan Film and Culture Festival - Taifas is not just about cultural experiences for adults. This special component of the festival is about sharing the joy and magic of film with children and young people, aiming to provide them with an opportunity to explore the Balkan cinematic universe. In doing so, we encourage dialogue and understanding of their own cultural roots.

We will meet children and young people aged 6 to 19 at Cinema Victoria Timi\u0219oara, where we will screen 6 films created by Balkan directors. The pupils will watch an art film in a cinema hall and will have the unique opportunity to meet directors and guests from the film world, engaging in discussions about the films.<\/p>

The cost for participating in the program (screening and discussion) is 10 lei per person for primary and secondary school students and 15 lei per person for high school students. Teachers accompanying students participate for free in the educational programs within the TAIFAS festival.<\/p>

Teachers can register their classes for the school screenings through the following link:<\/h4>

Register here:<\/a><\/p>

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\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t Cineconcert Le cin\u00e9ma des Origines <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/i><\/span>\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\t\t\t\t<\/div>\n\n\t\t\t\t
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Europe and Indonesia, 1895-1908<\/strong><\/p>

Directed by: various directors<\/strong><\/p>

Collage of short films, projection accompanied by piano and historically contextualized<\/strong><\/p>

1h15min<\/strong><\/p><\/div>

Returning to the origins of cinema means rummaging through a treasure chest and discovering thousands of faces, moving bodies, their appearances (and disappearances), amateur or professional actors, and other anonymous passersby, who found themselves \"caught\" on the first reels of the first cameras. It means being amazed by images of streets, buildings, cars, outfits, and being drawn into the adventurous spectacles and elegant games that unfold on the cinema walls. The eyes of children, starting from the age of 6, can remain astonished while watching these short films; they will be attentive to the wind stirring the waves, the smoke rising from the volcano, the craftsman's work, the street traffic, the distinctive signs of social class. It is also a journey into fantastic realms, the results of incredibly imaginative minds, under the seas or among the stars.<\/p>\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t

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\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t You Are Ceau\u0219escu to Me <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/i><\/span>\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\t\t\t\t<\/div>\n\n\t\t\t\t
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Romania, 2021<\/strong><\/p>

Directed by: Sebastian Mihailescu<\/strong><\/p>

With: Denis Duma, Dan Hudici, Ionu\u021b Amador Motoi, Mario Sandrino R\u0103dulescu Documentary. Screening followed by a discussion with Monica Felea (film distributor) and \u0218tefan Branea (film selector) from Bad Unicorn<\/strong><\/p>

1h 41 min + discussion 40 min<\/strong><\/p><\/div>

At the boundary between fiction and documentary, \"You Are Ceau\u0219escu to Me\" brings before the camera young people aged 15 to 22 from different backgrounds, who participate in auditions for the role of young Nicolae Ceau\u0219escu in the mid-1930s, attempting to uncover the motivation behind his actions. The teenagers transform a series of official documents into fiction and relate to the young communist as a fictional character, free from preconceived notions, adopting his characteristics according to their own passions and through the lens of clich\u00e9s from commercial cinema.
The film creates a portrait of the new generation and an image of the legacy of the past, now that social networks are based on the same desire for aggrandizement specific to the '30s.<\/p>\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t

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\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t Croatian short films: teenagers <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/i><\/span>\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\t\t\t\t<\/div>\n\n\t\t\t\t
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The program consists of two short films by authors of the younger generation whose main protagonists are teenagers. The films \u201cThen I See Tanja\u201d (2010) and \u201cInto the Blue\u201d (2017) focus on teenagers and the sensitive but important period of growing up, which encompasses first loves, friendships, and difficult family situations.<\/p>

Onda vidim Tanyu (Then I See Tanja)<\/h4>

Croatia, 2010<\/strong><\/p>

Directed by: Juraj Leroti\u0107<\/strong><\/p>

With: Marin Radman, Ena Ma\u0161i\u0107, Niko Gamulin Vilogorac<\/strong><\/p>

34 min<\/strong><\/p>

Short film\/drama<\/strong><\/p><\/div>

Zeljko (16) and his younger brother have been living on their own since their mother ended up in hospital. Zeljko has set his mind on two things: he has to finally take the initiative to meet Tanja and earn some money to buy his Mum a wig. A real one, made from human hair. If he achieves these two goals, the things might turn for the better.
\"Then I See Tanja\" is a coming-of-age story built almost entirely from stills.<\/p>

U plavetnilo (\u00cen albastru)<\/h4>

Croatia, 2017<\/strong><\/p>

Directed by: Antoneta Alamat Kusijanovi\u0107<\/strong><\/p>

With: Gracija Filipovi\u0107, Nata\u0161a Dangubi\u0107, Andro Re\u017ei\u0107<\/strong><\/p>

22 min<\/strong><\/p>

Short film\/drama<\/strong><\/p><\/div>

Thirteen year old Julija and her mother flee their abusive household to find refuge on an idyllic Croatian island where Julija grew up. Emotionally scarred, Julija is desperate to reconnect with her best friend, Ana. But Ana is in love with a boy and Julija is no longer a priority. Ana's mounting rejection re-ignites Julija's wounds and family history, awakening the monster of violence she thought she's left behind.<\/p>

Screenings followed by a discussion with the Contrasens team.<\/p>\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t

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\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t Greek documentary program <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/i><\/span>\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\t\t\t\t<\/div>\n\n\t\t\t\t
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Fishermen and fishing<\/h4>

Greece, 1961<\/strong><\/p>

Directedd by: Leon Loisios<\/strong><\/p>

34 min<\/strong><\/p>

Short film\/ Documentary<\/strong><\/p><\/div>

The film showcases various traditional fishing techniques and the daily lives of fishermen from the Molivos community on the island of Lesvos, located in the northeast of the Aegean Sea. Through a series of images transporting us to Mithymna in 1961, we observe a glimpse of life in the picturesque fishing village of Molivos. We witness the fishermen's daily activities, Sunday rituals including liturgy at the local church, and moments of relaxation in the coffee shop. The fishermen head out to sea with a fishing net; we see the settlement of Molivos, a coffee shop, the narrow cobblestone streets, the castle; women chatting and weaving in front of their houses\u2026<\/p>

Louomenoi (Bathers)<\/h4>

Greece, 2008<\/strong><\/p>

Directed by: Eva Stefani<\/strong><\/p>

46 min<\/strong><\/p>

Documentary<\/strong><\/p><\/div>

The film follows a summer in the lives of a group of Greek retirees, both men and women, who regularly visit various thermal resorts in Greece. Life around these thermal resorts unfolds at a slow pace reminiscent of bygone times. In this tranquil atmosphere, people feel free to do and say things they would never do in their usual social circles. Instead of feeling like you are among elderly individuals, you often get the sense that you are surrounded by a group of teenagers at a summer camp. This joyful atmosphere is frequently interrupted by reflections on the past or on death.<\/p>

Screenings followed by a discussion with director Eva Stefani.<\/p>\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t

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\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t Srbenka <\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/i><\/span>\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\t\t\t\t<\/div>\n\n\t\t\t\t
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Croatia, 2018<\/strong><\/p>

Directed by: Neboj\u0161a Slijep\u010devi\u0107<\/strong><\/p>

With: Nina Batini\u0107, Jelena Lopati\u0107, Ivana Ro\u0161\u010di\u0107, Oliver Frlji\u0107, Igor Kova\u010d, Tatjana Dragi\u010devi\u0107 Documentary. Screening followed by a discussion with Boris Bakala (Shadow Casters, Zagreb)<\/strong><\/p>

1h10 min + discussion 40 min<\/strong><\/p><\/div>

In the winter of 1991, Aleksandra Zec, a twelve-year-old Serbian girl, was murdered. Despite the case being known to the public, those responsible were never convicted. A quarter of a century later, theater director Oliver Frlji\u0107 creates a play about the Zec case. The process brings hidden traumas to the surface, transforming rehearsals into a collective therapy session.<\/p>\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Festivalul de Film \u0219i Cultur\u0103 Balcanic\u0103 – Taifas nu este doar despre experien\u021bele culturale pentru adul\u021bi. Aceast\u0103 component\u0103 special\u0103 a festivalului e despre a \u00eemp\u0103rt\u0103\u0219i bucuria \u0219i magia filmului cu cei mici \u0219i tinerii, c\u0103rora ne dorim s\u0103 le oferim oportunitatea de a descoperi universul cinematografic balcanic, \u00eencuraj\u00e2nd astfel dialogul \u0219i \u00een\u021belegerea propriilor r\u0103d\u0103cini culturale. […]<\/p>","protected":false},"author":1,"featured_media":6981,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[48,40],"tags":[],"class_list":["post-6979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-48","category-proiectii-scolare"],"_links":{"self":[{"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/posts\/6979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/comments?post=6979"}],"version-history":[{"count":19,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/posts\/6979\/revisions"}],"predecessor-version":[{"id":7445,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/posts\/6979\/revisions\/7445"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/media\/6981"}],"wp:attachment":[{"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/media?parent=6979"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/categories?post=6979"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/taifasfestival.ro\/en\/wp-json\/wp\/v2\/tags?post=6979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}